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Master's Dissertation
DOI
https://doi.org/10.11606/D.103.2018.tde-25092018-143351
Document
Author
Full name
Milena Melo Sales
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Magalhães, Ana Gonçalves (President)
Borrego, Maria Aparecida de Menezes
Sant'Anna, Patrícia
Title in Portuguese
Desejos frustrados na formação de um colecionismo de moda no MASP: as aquisições dos vestidos de alta-costura Dior e Lanvin
Keywords in Portuguese
Alta-Costura
Colecionismo
Documentação Museológica
Moda
Museus de Arte
Abstract in Portuguese
A presente pesquisa tem como objetivo analisar um pequeno conjunto de vestidos denominados alta-costura, presente na coleção Vestuário do Museu de Arte de São Paulo Assis Chateaubriand (MASP) e que foram adquiridos na direção artística de Pietro Maria Bardi (1947 - 1990) e na presidência de Júlio Neves (1994-2008). Tais vestidos, catalogados como advindos das casas Dior e Lanvin, foram incorporados à coleção Vestuário entre os anos de 1951 a 1956 e posteriormente, nos anos de 2002 e 2003. Desse modo, pretende-se analisar o processo de musealização desses vestidos, numa perspectiva histórico-social, além de problematizar a historicidade do colecionismo de vestuário e moda nos anos de aquisição dos objetos, considerando a produção de documentação museológica como um processo curatorial importante na análise empreendida.
Title in English
Frustrated desires in the creation of the fashion collection at MASP ( S?o Paulo Museum of Art): acquisitions of Dior and Lanvin high fashion dresses
Keywords in English
Art Museums
Collecting
Fashion
High fashion
Museological Documentation
Abstract in English
The present research aims to analyze a small set of dresses called high fashion, present in the Costume collection of the São Paulo Museum of Art (MASP) and which were acquired in the artistic direction of Pietro Maria Bardi (1947 - 1990) and in the presidency of Júlio Neves (1994-2008). These dresses, cataloged as coming from the houses Dior and Lanvin, were incorporated into the Costume collection between the years 1951 to 1956 and later, in the years of 2002 and 2003. In this way, it is intended to analyze the process of musealization of these dresses, from a perspective historical-social, in addition to problematizing the historicity of collecting clothing and fashion in the years of acquisition of objects, considering the production of museological documentation as an important curatorial process in the analysis undertaken.
 
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Release Date
2020-09-24
Publishing Date
2018-10-16
 
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