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Doctoral Thesis
DOI
10.11606/T.16.2008.tde-28042010-151401
Document
Author
Full name
Heloisa Dallari
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2008
Supervisor
Committee
Lourenco, Maria Cecilia Franca (President)
Araújo, Marcelo Mattos
Freire, Maria Cristina Machado
Munari, Luiz Americo de Souza
Santos, Maria Cecilia Loschiavo dos
Title in Portuguese
Design e exposição: das vitrines para as novas telas
Keywords in Portuguese
Design
Exposição
História
Internet
Mídias digitais
Abstract in Portuguese
Discorre-se sobre as transformações na conceituação de design e nos modos de exposição do mesmo. A investigação tem início na segunda metade do século XIX, com destaque às relações estabelecidas na Exposição Universal de Londres, em 1851 entre a institucionalização do objeto industrial e a arquitetura. São tratadas as discussões entre forma e estilo, com a análise dos artefatos presentes nos pavilhões Art Déco e do Purismo mostrados na Exposição Internacional de Paris, em 1925, e os conceitos que embasam a musealização do design no MoMA, quando da formação, em 1932, do Departamento de Arquitetura e Design dessa instituição. Chega-se à atualidade pelo exame da espetaculização da cidade de Milão via objetos industriais e pelas discussões, que guiam a criação de museus dedicados ao tema e o surgimento da possibilidade de acessá-los via internet, de qualquer lugar e a qualquer hora.
Title in English
Design and Exhibition: from the displays to the screens
Keywords in English
Design
Digital media
Exhibition
History
Internet
Abstract in English
This works discusses the changes of the concept of the design and about the ways it is displayed. The investigation begins on the second half of the 19th century highlighting the relations between the institutionalization of the industrial object and the architecture showed at the London Universal Exhibition in 1851. It is discussed the form and the style analyzing the objects at the Art Deco and Purism showed at the Paris International Exhibition in 1925 and the concepts that base the museum trend of the design at the MoMA when the Department of Architecture and Design was found in 1932. It gets at the present day by the spectacularization of the city of Milan via manufactured products and by discussion that guides the beginning of museums specialized in the theme and the possibilities of reaching its content anywhere, anytime by the net.
 
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Publishing Date
2010-04-30
 
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