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Master's Dissertation
DOI
10.11606/D.27.2013.tde-07032014-151602
Document
Author
Full name
Fernando Garbini Cespedes
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Felice, Massimo di (President)
Caldas, Waldenyr
Castro, Gisela Grangeiro da Silva
Title in Portuguese
Todos somos DJs: como as redes sociais digitais amplificam a voz do homem comum e alteram os processos de construção do gosto musical
Keywords in Portuguese
Comunicação Digital
Construção Partilhada do Conhecimento
Gosto musical
Redes sociais
Abstract in Portuguese
O trabalho trilha um caminho que iniciase nas origens do gosto musical como forma de distinção social e vai até as práticas contemporâneas de consumo e fruição da música. Este trajeto é significativamente alterado não só pelas inúmeras evoluções tecnológicas e rupturas estéticas que historicamente serviram à música como também pelas inovações nos ambientes por meio dos quais interagimos com ela. Estes fatores levam a um cenário no qual o homem comum, originalmente afastado dos processos tradicionais de construção do conhecimento e cultura, pode trilhar, impulsionado pela nova lógica presente nas redes sociais digitais, infinitos caminhos para desenvolver suas preferências musicais. O propósito desta trabalho é traçar um panorama deste novo cenário, contribuindo para o melhor entendimento do que significa escutar música atualmente.
Keywords in English
Communitary Construction of Knowledge.
Digital Communication
Music Appreciation
Social Networks
Abstract in English
This work follows a path that initiates in the origins of musical appreciation as a form of social distinction and leads to the contemporary forms of consumption and appreciation of music. This path is significantly altered not only by the technological evolutions and aesthetical disruptions that impacted music throughout history but also by the shifts that altered the environment where the interactions between music and listeneres take place. These innovations lead to scenario on which the average man, originally secluded from the traditional processes of culture making, can wander through countless paths to develop one's music preferences, driven by the new logic of the social networks in the digital world. The purpose of this work is to describe this new musical landscape, contributing for a better understanding of what means to listen to music nowadays
 
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Publishing Date
2014-03-07
 
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