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Master's Dissertation
DOI
10.11606/D.27.2009.tde-14012010-150951
Document
Author
Full name
Debora Zamarioli
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Silva, Armando Sérgio da (President)
Ferracini, Renato
Rocha, Veronica Fabrini Machado de Almeida
Title in Portuguese
Cartografia de um corpo em cena: extração e codificação de matrizes corporais através do método Body Mind Centering
Keywords in Portuguese
BMC
Espaço do corpo
Interpretação
Matriz
Processo de corporificação
Punctum
Sistemas corporais
Teatro
Abstract in Portuguese
Este projeto está intimamente ligado à criação artística do ator, suas abordagens, reflexões e métodos. Ele está no âmbito da pesquisa do corpo cênico, de seus movimentos e de sua continua (re)significação perante quem o assiste e, por sua vez, da sua própria (re)organização. Para isso, cartografei meu próprio processo de aprendizagem e criação através dos diálogos entre o método de educação do movimento, Body Mind Centering®, inicialmente desenvolvido pela americana Bonnie Bainbridge Cohen, das formas de extração e codificação de matrizes corporais mapeadas por Renato Ferracini, e dos princípios da performance estudados por Renato Cohen. Assim, o desafio desta pesquisa foi a utilização do material perceptivo, proveniente da prática corporal, para a elaboração cênica. Ou seja, transcrever as sensações em matrizes codificadas, visando uma apresentação final em que este procedimento fosse (in)visível.
Title in English
Mapping of a body on stage: extraction and encoding matrix body through the method body mind centering
Keywords in English
BMC
body building process
body space
body systems
interpretation
matrix
punctun
Theater
Abstract in English
The present project is closely linked to the artistic creation of the actor, his approaches, thoughts and methods. The project is located in the realm of the research of the scenic body , its movements and its continuous (re)meaning in the face of the spectator and, on its turn, facing its own (re)organization. To achieve my goal I mapped our own learning and creation process through the dialog between the method of educating the movement, called Body Mind Centering ®, firstly developed by Bonnie Bainbridge, through the method of extracting and encoding the body matrixes mapped by Renato Ferracini, and through the performances studied by Renato Cohen. Therefore, the challenge of the present research was the use of perceptive material, deriving from the body practice used to build the scene. That means, translate the sensations into coded matrixes, aiming a final presentation where the said procedure would be (in)visible.
 
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Publishing Date
2010-08-10
 
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