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Master's Dissertation
DOI
10.11606/D.27.2014.tde-26052015-120349
Document
Author
Full name
Roberto Gomes Barbosa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2014
Supervisor
Committee
Costa, Felisberto Sabino da (President)
Leite, Marcelo Denny de Toledo
Basbaum, Sergio Roclaw
Title in Portuguese
Monstro-máscaras videográficas: vontade de potência na lei do eterno retorno
Keywords in Portuguese
Denis Marleau
fáustico
máscaras
máscaras videográficas
Monstros
Otávio Donasci
prometeico
sociedade do controle
teatro
Abstract in Portuguese
A pesquisa analisa como a forma do monstro e o conceito da máscara atravessam o tempo histórico como elementos paradoxalmente de coerção social e política, como também exercem a função de objeto de transformação pessoal. Munidos destas duas abstrações, o videoperformer brasileiro Otávio Donasci e o encenador canadense Denis Marleau utilizam máscaras videográficas e, através de suas obras, revelam respectivamente as aspirações das sociedades de controle: prometeica e fáustica.
Title in French
-
Keywords in French
Denis Marleau
faustienne
masques
masques vidéographiques
Monstres
Otávio Donasci
prometheique
sociétés de controle
Théâtre
Abstract in French
La recherche analyse comment la forme du monstre et le concept du masque traversent le temps historique comme des éléments, paradoxalement, de coercition sociale et politique, mais aussi exercent la fonction d'objet de transformation personnelle. Á partir de ces deux abstractions, le videoperformer brésilien, Otávio Donasci et le régisseur canadien Denis Marleau utilisent des masques vidéographiques et, à travers ses oeuvres, révèlent respectivement les aspirations des sociétés de contrôle: prometheique et faustienne.
 
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Publishing Date
2015-05-26
 
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