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Master's Dissertation
DOI
10.11606/D.27.2016.tde-06092016-120551
Document
Author
Full name
Helder Danilo Capuzzo
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Shimabuco, Luciana Sayure (President)
Molina Junior, Sidney Jose
Videira Junior, Mario Rodrigues
Title in Portuguese
Música ricercata, de György Ligeti: considerações de performance
Keywords in Portuguese
Escritura, Performance musical
György Ligeti
Musica ricercata
piano
Reposicionamento artístico
Abstract in Portuguese
Este trabalho acata Musica ricercata (1951-53), importante obra do período húngaro de György Ligeti, sob o ponto de vista da performance musical. Estruturado em três capítulos, no primeiro investiga a maneira como o conjunto de onze peças reflete o reposicionamento artístico e político de Ligeti nos anos anteriores à sua saída de Budapeste em direção à Europa Ocidental, ocorrida em 1956, e se firma como marco de sua independência artística. No segundo capítulo, centramos a pesquisa no projeto composicional de Musica ricercata com objetivo de identificar tópicos de sua organização estrutural que seriam aprofundados por Ligeti em sua obra madura e, consequentemente, reafirmam a profunda reorientação tratada no capítulo anterior. Por fim, o terceiro capítulo aborda cada uma das onze peças do ciclo e investiga as relações de reciprocidade entre seu pensamento composicional, a notação empregada pelo compositor e, finalmente, sua execução.
Title in English
-
Keywords in English
Artistic repositioning
György Ligeti
Musica ricercata
musical performance
piano
Scripture
Abstract in English
The present study regards Musica ricercata (1951-53), an important work from György Ligeti's Hungarian period, from the perspective of musical performance. Structured in three chapters, the first one investigates how this collection of eleven pieces reflects both Ligeti's artistic and political positioning in the years that preceded his exit from Budapest towards Western Europe in 1956 and stands out as a turning point for his artistic independence. In chapter 2, the research focuses on Musica ricercata´s compositional project in order to identify some topics of its structural organization which would be amplified by Ligeti on his mature work and, consequently, reaffirm the deep reorientation considered in chapter 1. Finally, the third chapter discuss each one of the eleven pieces from the cycle in order to investigate reciprocity relations among his compositional thinking, the notation used by the composer and, eventually, their performance.
 
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Publishing Date
2016-09-06
 
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