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Master's Dissertation
DOI
10.11606/D.27.2008.tde-07052009-124351
Document
Author
Full name
Susie Becker
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2008
Supervisor
Committee
Costa, Rogério Luiz Moraes (President)
Bastos, Maria Helena Franco de Araujo
Mello Filho, Silvio Ferraz
Title in Portuguese
A voz contemporânea
Keywords in Portuguese
Estética musical
Voz contemporânea
Voz contemporânea século XX
Abstract in Portuguese
Este trabalho busca o entendimento da voz contemporânea, enquanto expressão musical: sua forma, significado, sua gênese histórica. Tenta configurar a voz contemporânea como uma realidade artística da música vocal do século XX, sobretudo a partir da segunda metade, e que se estende até nossos dias. Por estar a voz intimamente ligada a um corpo, que por sua vez relaciona-se existencialmente com a moral, política, filosofia, arte, da época em que vive, e, intimamente vinculada à escuta, que também se relaciona existencialmente com todas as transformações do século XX, a voz irá, da mesma forma, transformar-se substancialmente enquanto estética musical, justamente na medida em que o corpo e a escuta se transformam. Entender essas transformações do corpo, da escuta e da voz, numa perspectiva histórica, filosófica e artística, para compreender a forma a que chegou a voz na contemporaneidade, enquanto uma realidade artística manifestada em vários trabalhos vocais principalmente a partir dos anos 60 do século XX, é o objetivo deste trabalho.
Title in English
A voz contemporânea
Keywords in English
Estética musical
Voz contemporânea
Voz contemporânea século XX
Abstract in English
This work focuses on the comprehension of contemporary voice as a musical expression: its form, its meaning, and its historical origin. We intend to portrait it as an artistic reality of the vocal music in the 20th century, particularly since the 60s until nowadays. Since the voice is intimately connected to the body, which, by its turn, is related to a wide range of cultural aspects and transformations of its time, like morality, politics, philosophy, arts, and also the act of listening, therefore, it will be affected by the same changes occurred in the century - in terms of musical aesthetics, because the body and the listening will change as well. It is our goal to analyze these changes concerning the body, the listening and the voice, through a historical, philosophical and artistic approach, in order to comprehend the actual condition of contemporary voice, as an artistic reality expressed in many vocal works since the 60s.
 
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1729731.pdf (1.91 Mbytes)
Publishing Date
2009-07-01
 
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