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Master's Dissertation
DOI
10.11606/D.27.2018.tde-17042018-145339
Document
Author
Full name
Eduardo Luiz Bello dos Santos
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2017
Supervisor
Committee
Corvisier, Fernando Crespo (President)
Biaggi, Emerson Luiz de
Ribeiro, Adriano Machado
Title in Portuguese
Considerações interpretativas da obra Le Livre Magique de Xangô de Almeida Prado
Keywords in Portuguese
afrorreligiosidade
Almeida Prado
análise interpretativa
edição
Le Livre Magique de Xangô
pós-modernismo
violino
violoncelo
Abstract in Portuguese
O objetivo desta dissertação é apresentar uma análise interpretativa da obra Le Livre Magique de Xangô, duo para violino e violoncelo, do compositor brasileiro José Antônio Rezende de Almeida Prado (1943-2010). Composta em 1985, à luz da fase pósmodernista do compositor, baseia-se na melodia de raiz afrorreligiosa o "Canto de Xangô". Esta melodia foi empregada por muitos compositores brasileiros, incluindo Villa-Lobos, e denota a herança nacionalista recebida por Almeida Prado durante seus primeiros anos de estudos com Camargo Guarnieri (1907-1993). Além disso, esta dissertação tem como objetivo examinar as complexidades técnico-instrumentais da obra produzindo soluções técnicas. Por fim, decidiu-se preparar a edição da partitura, pois a versão atual encontra-se em manuscrito, acrescentando as mudanças feitas sob a supervisão do compositor, ao longo dos ensaios preparatórios para o concerto de estreia mundial, em 2003.
Title in English
-
Keywords in English
afro religious
Almeida Prado
cello
edition
interpretive analysis
Le Livre Magique de Xangô
post-modernism
violin
Abstract in English
The purpose of this dissertation is to present a performance analysis of the work Le Livre Magique de Xangô, duo for violin and cello, by the Brazilian composer José Antônio Rezende de Almeida Prado (1943-2010). Composed in 1985, in the light of the composer's postmodernist phase, it is based on the afro religious root melody of the "Canto de Xangô". This melody was used by many Brazilian composers, including Villa -Lobos, and it denotes the nationalist heritage received from Almeida Prado during his first years of study with Camargo Guarnieri (1907-1993). Moreover, this dissertation has the purpose to examine the technical difficulties found in this piece and how to solve them. Finally, the author decided to prepare a edited score, because the current version is in manuscript and including changes made under the composer's supervision, during the preparatory rehearsals for the concert of world premiere in 2003.
 
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Publishing Date
2018-04-17
 
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