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Master's Dissertation
DOI
10.11606/D.27.2009.tde-17092009-093511
Document
Author
Full name
Andréia Anhezini da Silva
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Ramos, Marco Antonio da Silva (President)
Cortez, Clarice Zamonaro
Miranda, Ronaldo Coutinho de
Title in Portuguese
A relação poesia e música nas obras corais de Osvaldo Lacerda sobre poemas de Carlos Drummond de Andrade: uma abordagem analítico-interpretativa
Keywords in Portuguese
Análise Musical para Performance
Osvaldo Lacerda e Carlos Drummond de Andrade -
Poesia e Música
Abstract in Portuguese
Este trabalho tem como objetivo a investigação analítica do sistema expressivo de cinco obras para Coro a cappella do compositor Osvaldo Lacerda com poemas de Carlos Drummond de Andrade, salientando as relações que a música estabelece com a arte poética e investigando as técnicas composicionais adotadas pelo compositor de acordo com a extração musical que este faz do poema para construção do seu discurso poético-musical. As obras corais são: Quadrilha (1967), Romaria (1967), Poema da Necessidade (1967), Céu Vazio (1968) e Uníssono (primeira peça dos Quatro Estudos para Coro de 1971). A partir desta Análise para o Intérprete são oferecidas sugestões para a realização musical das referidas obras,apontando aspectos relevantes da interpretação coral.
Title in English
The relationship poetry and music in Osvaldo Lacerda's choral works on poems by Carlos Drummond de Andrade: an analytical-interpretative approach.
Keywords in English
Musical Analysis for performance
Osvaldo Lacerda and Carlos Drummond de Andrade
Poetry and Music
Abstract in English
The focus of this dissertation is the analytical investigation of the expressive system of five pieces for a cappella choir written by composer Osvaldo Lacerda on poems by Carlos Drummond de Andrade, pointing out the relations that music establishes with poetic art and investigating compositional techniques adopted by the composer in accordance with the musical extraction he makes from the poem to construct his musical-poetic meanings. The choral works are: Quadrilha (1967), Romaria (1967), Poema da Necessidade (1967), Céu Vazio (1968) e Uníssono (first part fo Quatro Estudos para Coro, 1971). From this analysis, suggestions about the performance of these pieces are offered to the interpreter, pointing to relevant aspects of choral interpretation.
 
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Publishing Date
2009-09-24
 
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