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Doctoral Thesis
DOI
10.11606/T.27.2013.tde-18112013-120913
Document
Author
Full name
Mônica Giardini
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Jardim, Gilmar Roberto (President)
Cascapera, Sergio
Gloeden, Edelton
Nogueira, Marcos Fernandes Pupo
Tiné, Paulo José de Siqueira
Title in Portuguese
Processos composicionais de Edmundo Villani-Côrtes na sua sinfonia nº 1 para orquestra de sopros
Keywords in Portuguese
Banda Sinfônica
Compositor Brasileiro
Edmundo Villani-Côrte
Música brasileira
Abstract in Portuguese
A presente tese enfoca os processos composicionais de Edmundo Villani-Côrtes na sua Sinfonia nº 1 para Orquestra de Sopros. O estudo investiga as fronteiras da brasilidade popular e erudita da escrita do compositor, assim como o tipo de ferramentas que ele utiliza para escrever para banda sinfônica através da análise da obra escolhida. Defendemos a ideia de que sua literatura musical para banda sinfônica é inovadora por ter um tratamento orquestral diferenciado para essa formação, numa escrita erudita com conteúdos temáticos vindos da música popular. Do estudo, concluímos que o compositor tem uma assinatura ímpar na sua linguagem musical e apresenta-se como um autor representante da autenticidade brasileira.
Title in English
Composing procedures of Edmundo Villani-Cortes in his Symphony nº1 for the Wind Orchestra
Keywords in English
Brazilian Composer
Brazilian music
Edmundo Villani-Côrtes
Symphonic Band
Abstract in English
This present thesis focuses on the composing procedures of Edmundo Villani-Cortes in his Symphony nº1 for the Wind Orchestra. This study investigates the borders of the popular and erudite brazilianity of the composer´s writing, as well as the type of tools he uses to write for the Symphonic Band going through the analysis of a selected piece. We defend that the idea of his musical literature for the Symphonic Band is innovating by having a different orchestral treatment for its formation, in a scholar writing which includes thematic compounds coming from the pop music. By this study, we conclude that the composer has an unique signature in his musical language and he presents himself as a representative author of the Brazilian authenticity
 
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MonicaGiardini.pdf (4.79 Mbytes)
Publishing Date
2013-11-19
 
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