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Doctoral Thesis
DOI
10.11606/T.27.2014.tde-30102014-155944
Document
Author
Full name
Rodrigo Passos Felicissimo
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2014
Supervisor
Committee
Jardim, Gilmar Roberto (President)
Fonterrada, Marisa Trench de Oliveira
Moreira, Adriana Lopes da Cunha
Salles, Paulo de Tarso Camargo Cambraia
Tiné, Paulo José de Siqueira
Title in Portuguese
Estudo interpretativo da técnica composicional Melodia das Montanhas, utilizada nas peças orquestrais: New York Sky-Line Melody e Sinfonia nº 6 de Heitor Villa-Lobos
Keywords in Portuguese
Heitor Villa-Lobos
Melodia das Montanhas
Processos de criação musical
Técnica composicional
Abstract in Portuguese
Este trabalho se destina a investigar a técnica de composição conhecida como Gráfico para Fixar a Melodia das Montanhas do Brasil, utilizada pelo compositor Heitor Villa-Lobos (1887-1959) nas peças orquestrais: New York Sky-Line Melody (1939) e Sinfonia No. 6 - sobre as linhas das montanhas (1944). A hipótese lançada é de que a referida técnica não se sustenta enquanto método que responda integralmente pela construção do discurso musical de tais obras, mas simplesmente como procedimento utilizado para a elaboração de seus principais temas.
Title in English
-
Keywords in English
Compositional Technique
Heitor Villa-Lobos
Melody Mountains Method
Musical Creation Processes
Abstract in English
The aim of this work is to analyze the compositional technique known as Gráfico para Fixar a Melodia das Montanhas do Brasil,[where composers translate physical shapes to musical parameters, or millimetrization] used by the composer Heitor Villa-Lobos (1887-1959) for New York Sky-Line Melody (1939) and Symphony No. 6 - sobre as linhas das montanhas (1944).The launched hypothesis is that this technique cannot be sustained as a method that addresses the full construction of the musical discourse of such works, but simply as a procedure used for the preparation of its main themes.
 
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Publishing Date
2014-10-30
 
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