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Master's Dissertation
DOI
10.11606/D.27.2018.tde-26122018-171155
Document
Author
Full name
Ivan Amaral dos Reis
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Borges, Cristian da Silva (President)
Andrade, Patrícia Mourão de
Rosa, Carlos Adriano Jeronimo de
Title in Portuguese
Marie Menken: presença e artifício como matéria do movimento
Keywords in Portuguese
Cinema Experimental
Marie Menken
Vanguarda Norte-americana
Abstract in Portuguese
A obra fílmica da artista plástica e cineasta Marie Menken (1909-1970) é contemplada, quase em sua totalidade, no presente trabalho, por meio de análises fílmicas que compreendem alguns aspectos da poética da realizadora norte-americana que consideramos relevantes para os estudos sobre o cinema experimental, de modo geral, e sobre a vanguarda norte-americana. Os aspectos aqui estudados correspondem aos das experimentações com a montagem cinematográfica e com a direção de fotografia, no ato de filmar, seja permeando os elementos físicos diante da câmera, seja contornando um discurso sobre a prática do cinema amador. São também investigados, por meio de aproximações com teorias sobre a arte moderna e a arte contemporânea, os aspectos formais de uma obra fílmica que pretende romper as possíveis fronteiras entre o cinema, as artes plásticas e a performance.
Title in English
-
Keywords in English
American Avant-Garde
Experimental Cinema
Marie Menken
Abstract in English
The film work of visual artist and filmmaker Marie Menken (1910-1970) is almost entirely contemplated in the present work, through film analysis which comprise some aspects of her poetics we consider relevant to the studies on experimental cinema, in general, as well on the American Avant-Garde. The aspects studied here correspond to the experiments with cinematographic editing and cinematography, during the act of filming, either bypassing the physical elements in front the camera, or building a discourse on amateur film practice. It's also engaged the investigation of the formal aspects of a filmic oeuvre which intends to surpass the possible frontiers between cinema, visual arts and performance dialoging with contemporary and modern art theories.
 
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Publishing Date
2018-12-26
 
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