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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2015.tde-29062015-145204
Document
Author
Full name
Margarida Maria Adamatti
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Morettin, Eduardo Victorio (President)
Eugênio, Marcos Francisco Napolitano de
Machado Junior, Rubens Luis Ribeiro
Sá Neto, Arthur Autran Franco de
Soares, Rosana de Lima
Title in Portuguese
A crítica cinematográfica no jornal alternativo Opinião: frentismo, estética e política nos anos setenta
Keywords in Portuguese
crítica cinematográfica
história da imprensa
história do cinema brasileiro
imprensa alternativa
jornal Opinião
Abstract in Portuguese
Opinião (1972-1977) é um dos mais importantes jornais da imprensa alternativa. O semanário nasceu para fazer a oposição ao regime militar através da união entre várias tendências políticas, na chamada Frente Ampla. Mesmo com forte censura, surgiu um tipo de crítica progressista caracterizada pelo profundo debate político e estético. A discussão do cinema não era feita só do ponto de vista da estética, mas também como imperativo político contra o regime militar. Analisamos as metodologias dos críticos Jean-Claude Bernardet, Sérgio Augusto, Marcos Ribas de Farias, Gustavo Dahl, José Carlos Avellar e Clóvis Marques para observar como cada um deles articula nos textos os imperativos da estética e da política. Na recepção aos filmes, algumas temáticas estão sempre presentes: o papel do intelectual, a discussão sobre a cultura popular e a linguagem cinematográfica mais adequada para conquistar o público brasileiro. O objetivo da tese é avaliar como os críticos reelaboram e reconstroem um projeto político e estético para o cinema brasileiro nos anos setenta. Nas disputas internas do jornal, é possível também acompanhar como as questões da resistência cultural se fazem presentes no cotidiano dos críticos de cinema.
Title in English
-
Keywords in English
film critic
history of Brazilian cinema
history of the press
Opinião newspaper
underground press
Abstract in English
Opinião (1972-1977) is one of the most important newspapers of the underground press. The weekly was born to do the opposition to the military regime through the union of many political tendencies, the so-called Broad Front. Even with strong censorship it came's a kind of progressive criticism characterized by deep political and aesthetic debate. The film discussion was made not only from de aesthetic point of view, but also as a political imperative against the military regime. We analyze the methodologies of film critics Jean-Claude Bernardet, Sérgio Augusto, Marcos Ribas de Farias, Gustavo Dahl, José Carlos Avellar and Clóvis Marques to observe how each one articulated in the texts the aesthetics and politics imperatives. At the reception of movies, some issues are always present: the role of the intellectual, the discussion about popular culture and the most appropriate language film to win the Brazilian public. The aim of this thesis is to assess how critics reconstruct and rebuild a political and aesthetic project for the Brazilian cinema in the seventies. In the internal disputes of the newspaper, we can also follow how the cultural resistance matters are present in the routine of film critics
 
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Publishing Date
2015-06-30
 
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