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Master's Dissertation
DOI
10.11606/D.31.2017.tde-19012017-140923
Document
Author
Full name
Rafael Vitor Barbosa Sousa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2016
Supervisor
Committee
Toni, Flávia Camargo (President)
Ikeda, Alberto Tsuyoshi
Souza, Marina de Mello e
Title in Portuguese
O Concurso Mário de Andrade de Monografias sobre o Folclore Nacional no panorama dos estudos folclóricos brasileiros (1946-1975)
Keywords in Portuguese
Cultura popular
Discotecas
Etnomusicologia
Folclore
Oneyda Alvarenga
Política cultural
Abstract in Portuguese
A Discoteca Pública Municipal de São Paulo, criada em 1935 com a institucionalização do Departamento de Cultura, tem sido alvo de pesquisas nos últimos anos. Oneyda Alvarenga, ex-aluna e principal herdeira de Mário de Andrade no que se refere aos estudos folclórico-musicais, conduziu inúmeros trabalhos enquanto esteve na direção da Discoteca. Constituindo um conjunto documental inédito, o Concurso Mário de Andrade de Monografias sobre o Folclore Nacional (1946-1975) contou com a participação de trabalhos de intelectuais do campo das ciências sociais de São Paulo. Por outro lado, considerando a necessidade de "conhecer" as manifestações populares no Brasil, Oneyda soube tirar proveito da mobilização criada pelo Movimento Folclórico Brasileiro, sob a batuta de Renato Almeida e Edison Carneiro. Deste modo, inúmeros autores polígrafos, filiados às Comissões Estaduais de Folclore, figuraram nas 30 edições do Concurso.
Title in English
Folkloric monographs contest in the perspective of Brazilian folkloric studies (1946-1975)
Keywords in English
Cultural Policy
Ethnomusicology
Folklore
Oneyda Alvarenga
Popular Culture
Records Collection
Abstract in English
The Discoteca Pública Municipal de São Paulo (DPM) - Public Record Collection of São Paulo - created in 1935 along with the institutionalization of the Departamento de Cultura - Department of Culture, has been subject of research in recent years. Oneyda Alvarenga, Mário de Andrade's former student and main heiress in relation to folk-music studies, conducted numerous works while she was in the direction of the DPM. Constituting an unprecedented set of documents, the Concurso Mário de Andrade de Monografias sobre o Folclore Nacional (1946-1975) - Folkloric monographs contest - counted the participation from intellectuals of the fields of social sciences in São Paulo. On the other side, considering the need to "know" the popular culture in Brazil, Oneyda took advantage of the mobilization created by the Movimento Folclórico Brasileiro - Brazilian Folkloric Movement, by the baton of Renato Almeida and Edison Carneiro. Thus, several writers affiliated to the Comissões Estaduais de Folclore - States Commissions of Folklore - figured in the 30 editions of the competition.
 
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Publishing Date
2017-01-24
 
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