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Master's Dissertation
DOI
10.11606/D.31.2012.tde-25022013-110807
Document
Author
Full name
Conrado Augusto Barbosa Fogagnoli
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2012
Supervisor
Committee
Laudanna, Mayra (President)
Bagolin, Luiz Armando
Cunha, Cilaine Alves
Title in Portuguese
Entre texto e imagem: um estudo sobre as ilustrações de Sagarana 
Keywords in Portuguese
Ilustração
João Guimarães Rosa
Literatura Brasileira
Poty Lazzarotto.
Abstract in Portuguese
Esta dissertação propõe hipóteses para se estabelecer relações entre alguns contos que compõem a primeira obra publicada por João Guimarães Rosa, Sagarana, e as duas versões de ilustrações que para ela foram feitas pelo gravador e ilustrador Poty Lazzarotto. Com o objetivo de expor como a crítica literária brasileira dos decênios de 1940 e 1950 entende a obra de João Guimarães Rosa, no primeiro capítulo analisa-se a recepção crítica das três primeiras obras publicadas pelo autor; o segundo capítulo trata da recepção crítica da obra de Poty Lazzarotto, evidenciando como esta crítica se ocupa apenas da construção de uma biografia estereotipada do artista, sem propor reflexões sobre sua obra; no terceiro e último capítulo, apresentam-se hipóteses que possibilitam relacionar alguns dos contos de Sagarana, de Guimarães Rosa, e as duas versões de ilustrações feitas por Poty Lazzarotto para esta obra.
Title in English
Between Text and Image: A Study of the illustrations of Sagarana
Keywords in English
Brazilian literature
Illustration
João Guimarães Rosa
Poty Lazzarotto.
Abstract in English
This work proposes hypotheses to establish relationships between some tales of the first published work by Guimarães Rosa, Sagarana, and the two versions of illustrations that were made for it by engraver and illustrator Poty Lazarotto. Aiming to expose how the Brazilian literary critic of the decades of 1940 and 1950 understood the work of João Guimarães Rosa, the first chapter analyzes the critical reception of the first three works published by the author. The second chapter deals with the critical reception of the work of Poty Lazzarotto, showing how this criticism is concerned only in building a stereotypical biography of the artist, without offering thoughts about his plastic work. The third and final chapter, presents some hypotheses in the relationships between the short storiesof Sagarana, by Guimarães Rosa, and both versions of the illustrations made by Poty Lazzarotto for his work.
 
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Publishing Date
2013-04-10
 
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