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Doctoral Thesis
DOI
Document
Author
Full name
Cristian Carla Bernava
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2016
Supervisor
Committee
Menezes, Paulo Roberto Arruda de (President)
Escudeiro, Richard Miskolci
Leite Junior, Jorge
Rago, Luzia Margareth
Rovai, Mauro Luiz
Title in Portuguese
Gêneros em projeção: um estudo sobre sexualidades no cinema durante a transição para o século vinte e um
Keywords in Portuguese
Cinema
Diferenças sexuais
Normalização
Regime de visibilidade
Sexualidades
Abstract in Portuguese
Este estudo investiga a emergência de um novo regime de visibilidade de algumas diferenças sexuais no cinema durante o período de transição para o século vinte e um. A partir das análises fílmicas de Breaking the Waves (Lars von Trier, 1996), Minha vida em cor-de-rosa (Ma vie en Rose, Alain Berliner, 1997), e Brokeback Mountain (Ang Lee, 2005), busca-se compreender as profundas transformações que se deram sob o impacto da crise da AIDS na constituição de um imaginário social sobre as diferenças sexuais e as reconfigurações das formas de dar a ver e de negociar estas diferenças e transformações, também por intermédio do cinema, no período investigado, levando-se em consideração o jogo de forças que se estabeleceu entre discursos hegemônicos e contra-hegemônicos que se desdobraram a partir da apropriação política do cinema por diversos grupos que militavam por direitos civis de homossexuais durante a década de 1990.
Title in English
Projecting gender: sexualities in cinema during the transition to the twenty-first century
Keywords in English
Cinema
Normalization
Regimen of visibility
Sexual differences
Sexualities
Abstract in English
This work investigates the emergence of a new regimen of visibility of certain sexual differences portrayed in cinema during the transition to the twenty-first century. Through the filmic analysis of Breaking the Waves (Lars von Trier, 1996), My Life in Pink (Ma vie en Rose, Alain Berliner, 1997), and Brokeback Mountain (Ang Lee, 2005) this research seeks to understand the profound transformations that occurred as a result of the impact of the AIDS crisis both in terms of the construction of a social imaginary of sexual differences as well as the rearrangements of the ways these differences and changes were made visible and were negotiated in this period through film. This analysis takes into consideration the disputes established between hegemonic and counter-hegemonic discourses which followed the political appropriation of cinematographic media by several gay civil rights groups during the 1990s.
 
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Publishing Date
2019-08-08
 
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