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Master's Dissertation
DOI
10.11606/D.8.2006.tde-09012008-100852
Document
Author
Full name
Igor Silva Alves
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2006
Supervisor
Committee
Silva, Franklin Leopoldo e (President)
Moutinho, Luiz Damon Santos
Suzuki, Marcio
Title in Portuguese
O teatro de situações de Jean-Paul Sartre
Keywords in Portuguese
Analogon
Ator
Imaginário
Liberdade
Situação
Abstract in Portuguese
Esta dissertação busca mostrar as questões envolvidas no teatro de Sartre. Para tanto, partese de uma descrição da consciência em geral para atingir uma caracterização da consciência imaginante - é esta consciência que toma o objeto estético como tal, posto que tal objeto é um objeto imaginário. A partir dessa caracterização da obra de arte em geral, busca-se descrever a especificidade da obra de arte teatral, de forma a mostrar a formulação do gênero teatral proposto por Sartre, o teatro de situações, a maneira como sua descrição sobre o evento teatral lhe serve como recusa do teatro burguês e para a crítica da produção dramatúrgica de sua época, e como o teatro opera uma descrição da vivência humana concreta que a filosofia descreve de forma estrutural.
Title in English
The theatre of situations of Jean-Paul Sartre
Keywords in English
Actor
Analogon
Imagery
Liberty
Situation
Abstract in English
This dissertation aims at opening up questions involved in Sartre's theatre. Firstly, beginning with a description of the consciousness in general one comes to a characterisation of the imaging consciousness - the one that takes into account the aesthetic object as such, given that this is an imagined object. Secondly, considering this characterisation of the work of art in general one intends to point out the characteristics of the theatrical work of art. The elaboration of the theatrical genre proposed by Sartre, i.e., the theatre of situations, is a description of the theatrical event that allows him to refuse the bourgeois theatre and to criticise the dramaturgical production of his period. For the French philosopher, the theatre operates a description of the concrete human lived experience that philosophy can only describe in a structural way.
 
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Publishing Date
2008-01-18
 
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