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Doctoral Thesis
DOI
10.11606/T.8.2010.tde-09022011-141953
Document
Author
Full name
Cauê Alves
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2010
Supervisor
Committee
Chaui, Marilena de Souza (President)
Barreto, Sonia Regis
Favaretto, Celso Fernando
Goldberg, Sonia Salzstein
Mammi, Lorenzo
Title in Portuguese
A dimensão filosófica do trabalho de Mira Schendel
Keywords in Portuguese
Arte
Corpo
Fenomenologia
Linguagem
Metafísica
Abstract in Portuguese
O presente trabalho visa problematizar e desenvolver questões referentes aos vínculos entre filosofia e arte, particularmente a partir do trabalho de Mira Schendel e do pensamento de Merleau-Ponty. Não se trata da filosofia como pensamento ilustrado pela obra e tampouco de uma mera demonstração de erudição. A pergunta sobre a dimensão filosófica do trabalho de Mira Schendel, artista com rara vocação para a filosofia, será abordada sob duas perspectivas: em primeiro lugar no sentido interno à obra de Schendel e, em segundo lugar, a partir das interlocuções que a artista estabeleceu com a obra de filósofos como Wittgestein, Sartre e, particularmente, com a fenomenologia, além de dialogar diretamente com pensadores como Hermann Schmitz, Vilém Flusser e Haroldo de Campos. Mira Schendel declarou diversas vezes sua admiração pelo pensamento do professor, filósofo e fenomenólogo Hermann Schmitz, da Universidade de Kiel, na Alemanha (que deu prosseguimento às pesquisas de Husserl). Esses dois eixos perpassam o conjunto da obra de Schendel, tornando possível trazer todo um percurso artístico para o debate. A tese não deixa de lado as tensões próprias do pensamento, uma vez que a filosofia de Merleau-Ponty aponta para direções que nem sempre coincidem com o trabalho da artista. No conjunto do debate estético e filosófico nos importa sinalizar os conflitos teóricos entre o conceitualismo na arte e o pensamento de Merleau-Ponty para se pensar a relação entre arte e filosofia na obra de Mira Schendel.
Title in English
The philosophical dimension of Mira Schendel's work
Keywords in English
Art
Body
Language
Methaphysics
Phenomenology
Abstract in English
The aim of this work is to bring to light questions that compare philosophy and art, specifically focusing on the work of Mira Schendel and the school of thought of Merleau-Ponty. The aim is not to treat philosophy as an enlightened thought or a mere demonstration of knowledge but rather to take a look into the philosophical dimension of Mira Schendels rare vocation for philosophy. This work will address two perspectives of this rare vocation. First it will take a look at the inner sense of Schendels work and second, it will venture through the perspective of philosophical works such as Wittgenstein and Sartre, as well as place a specific focus on phenomenology. Beyond this there will also include discussions from thinkers such as Hermann Schmitz from the University of Kiel in Germany (who continued the research of Husserl.)These two themes run throughout the entire work of Mira Schendel thus making it possible to bring an entire artistic journey into light. The thesis does not leave out the tension inherent in such thinking, due to the fact that the philosophy of Merleau-Ponty points to directions that do not always coincide with the artist´s work. Throughout the aesthetic and philosophical debate, what really matters is to point out the theoretical conflicts between conceptualism in art and the thinking of Merleau-Ponty, while still bringing into account the philosophy in Mira Schendels work.
 
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2010_CaueAlves.pdf (68.50 Mbytes)
Publishing Date
2011-02-09
 
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