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Doctoral Thesis
DOI
10.11606/T.8.2012.tde-17082012-104854
Document
Author
Full name
Phillip Wilhelm Keller
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2011
Supervisor
Committee
Suzuki, Marcio (President)
Knoll, Victor
Pacheco, Marilia Batista Cota
Tolle, Oliver
Werle, Marco Aurélio
Title in Portuguese
Estrutura da obra de arte na filosofia de Hegel - análise da estrutura da arte nos cursos de Berlim com relação aos conceitos de organismo, ação e conceito
Keywords in Portuguese
Ação
Arte clássica
Arte romântica
Conceito
Hegel
Ideia
Obra de arte
Organismo
Abstract in Portuguese
Esta tese investiga a Ideia e o modo como ela se realiza na obra de arte segundo a Estética de Hegel. No primeiro capítulo, o conceito de Ideia é apresentado nas três formas em que o mesmo se realiza segundo a Lógica enquanto Ciência do Conceito em Hegel. No segundo capítulo, procura-se estabelecer alguns pressupostos históricos da analogia entre belo e organismo e como esta mesma analogia pode ser reencontrada na Estética de Hegel. No terceiro capítulo, mostra-se como a ação também pode ser outra forma de interpretação e elemento estruturador da Ideia realizada na obra de arte. No quarto capítulo, apresenta-se o silogismo (e o juízo) como possível forma de explicação das diversas formas de arte. No quinto capítulo, as duas formas de realização da Ideia, enquanto vida e ação, são apresentadas como duas formas diferentes de expressão da Ideia realizadas respectivamente nas obras de arte das formas particulares de arte clássica e romântica.
Title in English
Structure of the artwork in the philosophy of Hegel - analysis of the structure of art in his Berlin lectures with respect to the concepts of organism, action and concept
Keywords in English
Action
Classical art
Concept
Hegel
Idea
Organism
Romantic art
Work of art
Abstract in English
This thesis investigates the idea and the way it is realized in the work of art according to Hegel's Aesthetics. In the first chapter the concept of idea is presented in three forms as it realizes itself according to the Logic as the Science of Concept in Hegel. In the second chapter, we try to establish some historical presuppositions of the analogy between beauty and organism and how this same analogy can be rediscovered in Hegel's Aesthetics. In the third chapter, it is shown how the action could also be another form of interpretation and structuring element of the idea realized in the artwork. The fourth chapter presents the syllogism (and judgment) as a possible form of explanation of the different particular forms of art. In the fifth and concluding chapter, the two forms of realization of the idea, as life or action, are presented as two different forms of expression of the idea realized respectively in the particular forms of art of classical and romantic arts.
 
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Publishing Date
2012-08-17
 
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