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Master's Dissertation
DOI
Document
Author
Full name
Clêmie Ferreira Blaud
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2019
Supervisor
Committee
Kossovitch, Leon (President)
Fabbrini, Ricardo Nascimento
Morettin, Eduardo Victorio
Souza, Carlos Roberto Rodrigues de
Title in Portuguese
Der Knabe in Blau: Investigações sobre o filme perdido de F. W. Murnau
Keywords in Portuguese
Béla Balázs
Cinema
F. W. Murnau
Filme perdido
Filosofia
Knabe in Blau
Abstract in Portuguese
Apresentam-se aqui duas vias de investigações sobre Der Knabe in Blau, filme perdido de F. W. Murnau, produzido em 1919. A primeira via examina o texto O homem visível, escrito pelo filósofo Béla Balázs em 1924, procurando as intersecções entre o seu pensamento e os filmes de Murnau, quando estes referem-se às relações com as demais artes; a segundase serve de fragmentos de imagens e intertítulos sobreviventes, propondo hipóteses para a reconstrução imaginária da narrativa. O esforço aqui empreendido na coleta de passagens do texto de Balázs visa contribuir com os estudos sobre a presença de outras artes nos filmes deste período, enquanto a experiência de comentar a obra perdida de Murnau instrui a averiguar as artes como elementos diegéticos na narrativa fílmica.
Title in English
Der Knabe in Blau: Investigations about the lost film of F. W. Murnau
Keywords in English
Béla Balázs
Cinema
F. W. Murnau
Knabe in Blau
Lost film
Philosophy
Abstract in English
We hereby present two investigative pathways on Der Knabe in Blau, F.W. Murnau's lost film, produced in 1919. The first pathway examines the text Visible Man, written by the philosopher Béla Balázs in 1924, looking for the intersections between his thinking and the films of Murnau, while they make references to the relationships with other forms of art; the second relies on the surviving images fragments and intertitles, proposing hypotheses for the imaginary reconstruction of the narrative. The effort here undertaken to collect passages from the Balázs text aims to contribute with the studying of the presence of other forms of art in films from this period, while the experience of commenting on the lost work of Murnau serves to ascertain the arts as diegetic elements in the film narrative.
 
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Publishing Date
2019-07-25
 
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