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Doctoral Thesis
DOI
10.11606/T.8.2014.tde-08052014-104648
Document
Author
Full name
Eduardo Dimitrov
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Schwarcz, Lilia Katri Moritz (President)
Barros, Sergio Miceli Pessoa de
Farias, Agnaldo Aricê Caldas
Peixoto, Fernanda Arêas
Simioni, Ana Paula Cavalcanti
Title in Portuguese
Regional como opção, regional como prisão: trajetórias artísticas no modernismo pernambucano
Keywords in Portuguese
Antropologia da arte
Arte pernambucana
Modernismo
Regionalismo
Sociologia da arte
Abstract in Portuguese
Artistas pernambucanos que iniciaram suas carreiras ainda na primeira metade do século XX foram facilmente classificados pela crítica, ou pelos pares, como regionalistas. Por vezes utilizado de maneira explícita e consciente, o regionalismo foi um trunfo importante para se produzir uma arte original. Ao mesmo tempo, criava entraves para que o artista fosse reconhecido nacionalmente por meio de classificações distintas de primitivista, regionalista, folclórico. Observando a trajetória de artistas que, em sua maioria, optaram por fazer suas carreiras no Recife Murillo La Greca, Manoel Bandeira, Lula Cardoso Ayres, Cícero Dias, Vicente do Rego Monteiro, Francisco Brennand, Abelardo da Hora, Ladjane Bandeira, Wellington Virgolino, José Cláudio da Silva, Gilvan Samico, entre outros , foi possível reconstruir o cenário das artes plásticas de Pernambuco, identificar as principais condicionantes sociais da produção artística e perceber como cada um desses atores se movimentou para, produzindo sua obra, viabilizar sua carreira. Diferentes materiais, desde fontes visuais, entrevistas, depoimentos, artigos de época, até comentários críticos, memórias, e catálogos de exposições, foram mobilizados para recuperar cada uma das trajetórias que, vistas em conjunto, permitem vislumbrar as condições e possibilidades criativas desses artistas instalados na periferia do sistema cultural brasileiro.
Title in English
Regional as an option, regional as a prison: artistic trajectories in Pernambuco's modernism
Keywords in English
Anthropology of art
Art from Pernambuco
Modernism
Regionalism
Sociology of art
Abstract in English
The artists from Pernambuco, who have started their careers at the first part of the 20th century, have been classified frequently as regionalists by the critics and their partners. At times used explicitly and consciously, the regionalism was an important resource in order to produce an original piece of art. At the same time, it creates obstacles so that the artist was nationally recognized by distinctive classifications of primitivist, regionalist, folklorist. By observing the trajectory of the artists that, in their majority, have opted to constitute their careers in Recife Murillo La Greca, Manoel Bandeira, Lula Cardoso Ayres, Cícero Dias, Vicente do Rego Monteiro, Francisco Brennand, Abelardo da Hora, Ladjane Bandeira, Wellington Virgolino, José Cláudio da Silva, Gilvan Samico, among others , it was possible to reconstruct the scenario of the (plastic) arts from Pernambuco, identify the main social conditioning of the artistic production and realize how each of these artists have managed, by producing their work, to enable their careers. Different material, from visual pieces, interviews, testimonies, news articles from the period, up to critical comments, memories and exposition catalogues, were mobilized in order to recover each of the trajectories that, taken as a whole, allow glimpsing the creative conditions and possibilities for these artists, laid in the periphery of the Brazilian cultural system.
 
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Publishing Date
2014-05-08
 
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