• JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
 
  Bookmark and Share
 
 
Master's Dissertation
DOI
10.11606/D.8.2011.tde-22022013-100553
Document
Author
Full name
Ricardo Indig Teperman
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2011
Supervisor
Committee
Schwarcz, Lilia Katri Moritz (President)
Silveira Junior, Walter Garcia da
Simoes, Julio Assis
Title in Portuguese
Tem que ter suingue: batalhas de freestyle no metrô Santa Cruz
Keywords in Portuguese
Diferença
Gênero
Improviso
Raça
Rap
Abstract in Portuguese
Esta dissertação tem como foco a prática de duelo rimas conhecida como batalha de freestyle. Segundo os participantes, o freestyle é "rap feito na hora" e o objetivo das batalhas é "zoar o outro". A partir de etnografia realizada ao longo de três anos na batalha da Santa Cruz, em São Paulo, analiso como os aspectos lítero-musicais e performáticos nublam a fronteira entre o insulto e a piada, possibilitando a encenação de conflitos e entabulando uma espécie de "economia da diferença". Nestes embates, os improvisadores mobilizam e flexionam categorias como gênero, sexualidade, raça/cor e classe social, operando como marcadores da diferença, sem produzir sentido isoladamente, mas apenas nas articulações efetuadas.
Title in English
Got to have swing: freestyle battles at the Santa Cruz subway
Keywords in English
Difference
Gender
Improvisation
Race
Rap
Abstract in English
The focus of this thesis is the practice of rhyme duels known as freestyle battles. According to the participants, freestyle is "rap on real-time", and the purpose of the battles is to "mock the other". Based in ethnography carried out for three years in the Battle of Santa Cruz, in São Paulo, I analyse how the literary-musical and performance aspects blur the border between insult and joke, enabling the staging of conflicts and setting what could be called a "economy of difference". In these disputes, improvisators mobilize categories such as gender, sexuality, race/colour and social class, operating as difference setters, without any meaning if viewed isolately, but exclusively in the articulations that are produced.
 
WARNING - Viewing this document is conditioned on your acceptance of the following terms of use:
This document is only for private use for research and teaching activities. Reproduction for commercial use is forbidden. This rights cover the whole data about this document as well as its contents. Any uses or copies of this document in whole or in part must include the author's name.
Publishing Date
2013-02-22
 
WARNING: Learn what derived works are clicking here.
All rights of the thesis/dissertation are from the authors
Centro de Informática de São Carlos
Digital Library of Theses and Dissertations of USP. Copyright © 2001-2019. All rights reserved.