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Doctoral Thesis
DOI
10.11606/T.8.2007.tde-06072007-103450
Document
Author
Full name
Francisco Alberto Rocha
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2007
Supervisor
Committee
Capelato, Maria Helena Rolim (President)
Costa, Helouise Lima
Grespan, Jorge Luis da Silva
Luca, Tania Regina de
Saliba, Elias Thome
Title in Portuguese
Figurações do ritmo: da sala de cinema ao salão de baile paulista
Keywords in Portuguese
Cinema (Sociologia - história) - São Paulo
Dança (Sociologia - história) - São Paulo
História social
Abstract in Portuguese
A presente investigação analisa a difusão de determinado repertório e estética musical imbricados ao fenômeno da dança e prática dos bailes, no contexto de modernização de São Paulo. Particularmente, abordamos o momento em que uma nova centralidade redesenhou sua fisionomia urbana grosso modo entre meados de 1930 e 1950. Nesse cenário, tal musicalidade, não apenas se mesclou de maneira singular às representações do moderno, como também fomentou no imaginário da metrópole emergente certo ideal de progresso e modernidade. A análise apreende o sentido desse repertório musical no entrecruzamento da "experiência do cinema" e da prática do baile
Title in English
The diffusion of a particular repertory and musical aesthetic related to dance and the balls in the context of São Paulo's modernization
Keywords in English
Cinema (Sociology - history) - São Paulo
Dance (Sociology - history) - São Paulo
Social history
Abstract in English
This research concerns the diffusion of a particular repertory and musical aesthetic related to dance and the balls in the context of São Paulo's modernization. We focus particularly on the moment that a new centrality emerged in the cityscape, between, the 1930´s and 1950's. In this context, the musicality has been blended with some representations of the Modern as well as has improved in the urban imaginary certain ideas related to progress and modernity. We search for the meanings of this musical repertory in relationship to the "experience" of the cinema and the practice of the balls
 
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Publishing Date
2007-08-16
 
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