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Master's Dissertation
DOI
10.11606/D.8.2018.tde-23112018-123111
Document
Author
Full name
Gabriel Bueno da Costa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Hosiasson, Laura Janina (President)
Andrade, Fabio Rigatto de Souza
Arnaiz, Idalia Morejón
Bezerra, Wilson Alves
Title in Portuguese
Uma pedra no deserto: leitura de Albedrío, de Daniel Sada
Keywords in Portuguese
Albedrío
Crítica literária
Daniel Sada
Literatura hispano-americana
Romance mexicano
Abstract in Portuguese
A dissertação propõe uma leitura crítica do romance Albedrío, do mexicano Daniel Sada (1953-2011). O trabalho se inicia com uma apresentação sobre a literatura do Norte do México, para discutir as especificidades do autor, seu afastamento do realismo tradicional e o tom de fábula que se perfila em suas obras. Uma categoria forte na leitura é a do estilo, a partir de autores como Antoine Compagnon, Susan Sontag e Roger Fowler, a fim de amparar uma análise sobre a construção formal, mas sem se limitar a ela. São avaliados também antecedentes da obra, seja na cultura popular, como os poemas romances e os corridos, seja no diálogo com outros escritores latino-americanos, como Juan Rulfo e Guimarães Rosa. Além de aspectos formais, como a pontuação, a escolha lexical, os pontos de vista e aspectos da instância narrativa, é importante a revisão da questão espacial, o que leva a indagações sobre o nomadismo e a importância de certos motivos específicos recorrentes ao longo da narrativa.
Title in English
A stone in the desert: Daniel Sadas Albedrío
Keywords in English
Albedrío
Daniel Sada
Hispano-American literature
Literary studies
Mexican novel
Abstract in English
This thesis proposes a critical reading of Daniel Sadas novel Albedrío. It initiates with a presentation of North Mexican literature, in order to discuss some of the authors particularities, his distance from traditional Realism and the fable tone that pulses throughout his work. A strong category is the notion of Style, discussed in the perspective of authors such as Antoine Compagnon, Susan Sontag and Roger Fowler, to support a formal study of its construction, although not limited to it. The background of the novel is also our subject here, both upon popular culture (as in the romance poems and the corridos), and dialogues with other Latin American writers, such as Juan Rulfo and Guimarães Rosa. Besides formal aspects like punctuation, lexical choices, points of view and the narrators characteristics, the spatial component is also examined, leading us to subjects like nomadism and specific structural motives that can be found along the novel.
 
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Publishing Date
2018-11-23
 
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