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Doctoral Thesis
DOI
10.11606/T.8.2014.tde-08102014-164235
Document
Author
Full name
Claudia Maria Fernandes Correa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2014
Supervisor
Committee
Souza, Lynn Mario Trindade Menezes de (President)
Candia, Michela Rosa Di
Carbonieri, Divanize
Cunha, Rubelise da
Gomes, Simone Caputo
Title in Portuguese
Encontros meridionais, histórias transnacionais: quando a voz feminina (re)nasce pela poesia
Keywords in Portuguese
Exclusão
Língua
Mulheres
Poética
Violência
Abstract in Portuguese
Este trabalho analisa as questões relacionadas às mulheres e aos afrodescendentes em Cabo Verde, no Brasil e em Trinidad e Tobago, tomando como base as obras Preces e Súplicas ou Os Cânticos da Desesperança (2005), da escritora cabo-verdiana Vera Duarte, Poemas da Recordação e Outros Movimentos (2008), da autora brasileira Conceição Evaristo e, por fim, She Tries Her Tongue, Her Silence Softly Breaks (1989), da escritora afro-caribenho-canadense Marlene NourbeSe Philip, verificando como suas poéticas são refrações dos contextos sociais, políticos, econômicos, educacionais e culturais de seus países. Para a realização deste estudo, utilizamos a teoria de Jacques Rancière (2013; 2005; 2003; 1996), a qual afirma que a política está na base da estética e na distribuição desigual de parcelas; e a visão do teórico Homi K. Bhabha (2005), a respeito da subjetivação e estereotipia, com o objetivo dominação. Além disso, instaurouse um questionamento sobre a violência baseada no gênero, o racismo e a violência linguística, temas abordados pelas autoras com o intuito de apresentar ao mundo a situação, notadamente, das mulheres negras em seus contextos. Nesse sentido, o objetivo desta pesquisa tece realidades conflitantes, aproximando-se da busca por uma voz feminina que dá espaço àqueles que não são ouvidos e estão inseridos em sociedades excludentes
Title in English
Meridional encounters, transnational histories: when the female voice (re)births through poetry
Keywords in English
Exclusion
Language
Poetry
Violence
Women
Abstract in English
This thesis examines the issues related to women and African descendants in Cape Verde , Brazil and Trinidad and Tobago , taking as a basis the works Preces e Súplicas ou Os Cânticos da Desesperança (2005) by the Cape Verdean writer Vera Duarte , Poemas da Recordação e Outros Movimentos (2008 ) by the Brazilian author Conceição Evaristo, and finally , She Tries her Tongue , her Silence Softly Breaks (1989 ) by the African -Caribbean - Canadian writer Marlene Nourbese Philip. In this work we examine how their poetics are refractions of social, political, economic, educational and cultural contexts in their countries. To achieve that we use the theory of Jacques Rancière (2013; 2005; 2003;1996) , which affirms that politics is in the very foundation of aesthetics and the unequal distribution, and also the works of the theorist Homi K. Bhabha (2005 ) about subjectivity and stereotyping with the aim of domination. Moreover, we bring up the question of gender-based violence, racism and linguistic violence. These issues are addressed by the authors in order to present to the world the situation of women, mainly black women, in their contexts. In this regard, the objective of this research weaves conflicting realities, approaching the search for a female voice that gives space to those who are not heard and are inserted into societies of exclusion
 
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Publishing Date
2014-10-08
 
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