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Master's Dissertation
DOI
10.11606/D.8.2011.tde-11102011-093123
Document
Author
Full name
Elder Kôei Itikawa Tanaka
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2010
Supervisor
Committee
Soares, Marcos Cesar de Paula (President)
Alambert Junior, Francisco Cabral
Silveira Junior, Walter Garcia da
Title in Portuguese
Jazz, indústria cultural e política em Kansas City, de Robert Altman
Keywords in Portuguese
Cinema
Indústria cultural
Jazz
Política
Robert Altman
Abstract in Portuguese
O objetivo dessa dissertação é compreender de que maneira se relacionam três elementos presentes na narrativa de Kansas City (1996), do cineasta Robert Altman. Em primeiro lugar o jazz, cuja utilização vai além da concepção tradicional de música como trilha sonora em filmes; em segundo lugar, a imitação de modelos da indústria cultural, que aparece configurada nas personagens Blondie e Johnny O'Hara; e em terceiro lugar, o cenário político, tanto da narrativa como da produção da obra respectivamente, as décadas de 1930 e 1990 do contexto norte-americano.
Title in English
Jazz, cultural industry and political in Kansas City, by Robert Altman
Keywords in English
Cinema
Culture industry
Jazz
Politics
Robert Altman
Abstract in English
This research aims at understanding how three elements of Robert Altman's Kansas City (1996) are related to each other. In the first place the jazz, which is not used as mere soundtrack in this film; in the second place the imitation of culture industry models, personified in the characters Blondie and Johnny O'Hara; and in the third place the political scenario, concerning both the narrative and the production of the film respectively the 1930s and the 1990s in the north-american context.
 
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Publishing Date
2011-10-11
 
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