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Master's Dissertation
DOI
Document
Author
Full name
Érika Bodstein
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2017
Supervisor
Committee
Ilari, Mayumi Denise Senoi (President)
Betti, Maria Silvia
Camati, Anna Stegh
Koudela, Ingrid Dormien
Title in Portuguese
Macbeth, segundo o Théâtre du Soleil: e a banalidade do humano no mundo contemporâneo
Keywords in Portuguese
Ariane Mnouchkine
Macbeth
Teatro inglês
Théâtre du Soleil
William Shakespeare
Abstract in Portuguese
Este trabalho tem por objeto de estudo a peça Macbeth une Tragédie de William Shakespeare comme elle est actuellement jouée au Théâtre du Soleil (2006), texto traduzido, adaptado e encenado por Ariane Mnouchkine, e investiga o processo criativo do Théâtre du Soleil no decurso da montagem, e os diversos elementos que compõem o espetáculo em cena, analizando a atualidade e a pertinência política do texto shakespeareano, e da encenação mnouchkiniana, na contemporaneirdade, e sua inserção no contexto histórico da prestigiosa companhia francesa, que se mantém como um coletivo de teatro, ativo e criativo, desde a sua fundação, em 1964. A dissertação propõe reflexões sobre o conceito arendtiano de banalidade do mal, e sua aplicação à encenação contemporânea de Macbeth, pelo Théâtre du Soleil.
Title in English
Macbeth, according to Théâtre du Soleil: the banality of humanity in the contemporary world
Keywords in English
Ariane Mnouchkine
English theater
Macbeth
Théâtre du Soleil
William Shakespeare
Abstract in English
This work aims to study the adaptation of the play Macbeth une Tragédie de William Shakespeare comme elle est actuellement jouée au Théâtre du Soleil (2006), translated and directed by Ariane Mnouchkine. It also investigates Théâtre du Soleils creative process during rehearsals, as well as the many elements which constitute the staging of the theatrical piece. This is achieved through the analysis of Shakespeares original play, its current political relevance and Mnouchkines stage version in our times. The piece is also considered with regards to the prestigious French companys history, a remarkably active and creative theatre group since its 1964 foundation. The dissertation finally reflects upon Théâtre du Soleils Macbeth contemporary stage version through Hannah Arendts concept of the banality of evil.
 
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Publishing Date
2019-08-14
 
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