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Master's Dissertation
DOI
10.11606/D.8.2009.tde-26082009-000822
Document
Author
Full name
Cláudia Maria Fernandes Corrêa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Souza, Lynn Mario Trindade Menezes de (President)
Ferreira, Ligia Fonseca
Hattnher, Alvaro Luiz
Title in Portuguese
Ecos da solidão: uma autobiografia de Maya Angelou
Keywords in Portuguese
Identidade
Maya Angelou
Mulheres afro- americanas
Narrativa autobiográfica
Abstract in Portuguese
Este trabalho centra sua atenção sobre a construção identitária por meio da palavra escrita, refletindo sobre o passado por meio da narrativa autobiográfica I Know Why the Caged Bird Sings (1970) da escritora afro-americana Maya Angelou. Utilizamos a obra de Maya Angelou devido ao seu esforço pioneiro em confrontar abertamente seu passado e fazer de suas mazelas pessoais um meio catártico: descer aos infernos, ou à morte para retornar transformada.
Title in English
Echoes of loneliness: an autobiography of Maya Angelou
Keywords in English
Afro-american women
Autobiographical narratives
Identity
Maya Angelou
Abstract in English
This work focuses its attention on the construction of identity by means of the written word using the autobiographical narrative I Know Why the Caged Bird Sings (1970) by the afroamerican writer Maya Angelou. We have utilized the work of Maya Angelou due to her pioneering efforts to openly confront her past and use her personal challenges as a cathartic means to descend to the hells or to death so that she could be transformed.
 
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Publishing Date
2009-08-26
 
WARNING: The material described below relates to works resulting from this thesis or dissertation. The contents of these works are the author's responsibility.
  • NUNES, RAQUEL D’ ELBOUX COUTO. MAYA ANGELOU: GÊNERO, AUTOBIOGRAFIA, VIOLÊNCIA EAGENCIAMENTO EM I KNOW WHY THE CAGED BIRD SINGS São Paulo, 2011.
All rights of the thesis/dissertation are from the authors
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