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Disertación de Maestría
DOI
10.11606/D.8.2008.tde-31072009-153332
Documento
Autor
Nombre completo
Marilise Rezende Bertin
Dirección Electrónica
Instituto/Escuela/Facultad
Área de Conocimiento
Fecha de Defensa
Publicación
São Paulo, 2008
Director
Tribunal
Milton, John (Presidente)
Ghirardi, Pedro Garcez
Sampaio, Glória Regina Loreto
Título en portugués
Traduções, adaptações, apropriações: reescrituras das peças  Hamlet, Romeu e Julieta e Otelo, de William Shakespeare
Palabras clave en portugués
Adaptação
Apropriação.
Peças
Shakespeare
Tradução
Resumen en portugués
The present thesis consists of a study on some rewritings of three plays written by William Shakespeare: Hamlet, Romeo and Juliet and Othello. Firstly, terms like translation, literal translation, free translation, rewriting, adaptation, updating, appropriation, condensation and recreation will be tackled with the purpose of understanding the process of interlingual and intralingual translations. The analysis of the theories developed by Hans J. Vermeer and Georges L. Bastin will be extremely important in order to justify and exemplify translations (adaptations) which are not so faithful and are aimed at specific types of public. The historical study of a number of French translations show how erotic, bawdy and grotesque parts of the Shakespearean texts were altered or omitted. Lastly, I analyse the bilingual adaptations of the three plays mentioned above, which I carried out with John Milton.
Título en inglés
Translations, adaptations, appropriations: derivations of Hamlet, Romeo and Juliet and Otelo, by William Shakespeare
Palabras clave en inglés
Adaptation
Appropriation.
Plays
Shakespeare
Translation
Resumen en inglés
The present thesis consists of a study on some rewritings of three plays written by William Shakespeare: Hamlet, Romeo and Juliet and Othello. Firstly, terms like translation, literal translation, free translation, rewriting, adaptation, updating, appropriation, condensation and recreation will be tackled with the purpose of understanding the process of interlingual and intralingual translations. The analysis of the theories developed by Hans J. Vermeer and Georges L. Bastin will be extremely important in order to justify and exemplify translations (adaptations) which are not so faithful and are aimed at specific types of public. The historical study of a number of French translations show how erotic, bawdy and grotesque parts of the Shakespearean texts were altered or omitted. Lastly, I analyse the bilingual adaptations of the three plays mentioned above, which I carried out with John Milton.
 
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Fecha de Publicación
2009-07-31
 
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