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Mémoire de Maîtrise
DOI
10.11606/D.8.2008.tde-31072009-153332
Document
Auteur
Nom complet
Marilise Rezende Bertin
Adresse Mail
Unité de l'USP
Domain de Connaissance
Date de Soutenance
Editeur
São Paulo, 2008
Directeur
Jury
Milton, John (Président)
Ghirardi, Pedro Garcez
Sampaio, Glória Regina Loreto
Titre en portugais
Traduções, adaptações, apropriações: reescrituras das peças  Hamlet, Romeu e Julieta e Otelo, de William Shakespeare
Mots-clés en portugais
Adaptação
Apropriação.
Peças
Shakespeare
Tradução
Resumé en portugais
The present thesis consists of a study on some rewritings of three plays written by William Shakespeare: Hamlet, Romeo and Juliet and Othello. Firstly, terms like translation, literal translation, free translation, rewriting, adaptation, updating, appropriation, condensation and recreation will be tackled with the purpose of understanding the process of interlingual and intralingual translations. The analysis of the theories developed by Hans J. Vermeer and Georges L. Bastin will be extremely important in order to justify and exemplify translations (adaptations) which are not so faithful and are aimed at specific types of public. The historical study of a number of French translations show how erotic, bawdy and grotesque parts of the Shakespearean texts were altered or omitted. Lastly, I analyse the bilingual adaptations of the three plays mentioned above, which I carried out with John Milton.
Titre en anglais
Translations, adaptations, appropriations: derivations of Hamlet, Romeo and Juliet and Otelo, by William Shakespeare
Mots-clés en anglais
Adaptation
Appropriation.
Plays
Shakespeare
Translation
Resumé en anglais
The present thesis consists of a study on some rewritings of three plays written by William Shakespeare: Hamlet, Romeo and Juliet and Othello. Firstly, terms like translation, literal translation, free translation, rewriting, adaptation, updating, appropriation, condensation and recreation will be tackled with the purpose of understanding the process of interlingual and intralingual translations. The analysis of the theories developed by Hans J. Vermeer and Georges L. Bastin will be extremely important in order to justify and exemplify translations (adaptations) which are not so faithful and are aimed at specific types of public. The historical study of a number of French translations show how erotic, bawdy and grotesque parts of the Shakespearean texts were altered or omitted. Lastly, I analyse the bilingual adaptations of the three plays mentioned above, which I carried out with John Milton.
 
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Date de Publication
2009-07-31
 
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