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Doctoral Thesis
DOI
10.11606/T.8.2008.tde-11082009-104636
Document
Author
Full name
André Teixeira Cordeiro
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2008
Supervisor
Committee
Cunha, Cilaine Alves (President)
Galharte, Julio Augusto Xavier
Iannace, Ricardo
Moraes, Marcos Antonio de
Sperber, Suzi Frankl
Title in Portuguese
Pássaros de carne e lenda: a poesia plástica de Ismael Nery e Murilo Mendes
Keywords in Portuguese
Catolicismo
Equilíbrio
Harmonia
Pintura
Poesia
Abstract in Portuguese
O trabalho estabelece um diálogo entre a obra do pintor e poeta Ismael Nery e a primeira fase da obra do poeta Murilo Mendes (1930-1945). Os autores têm uma poética aproximada e suas obras foram enfocadas a partir dos aspectos a seguir: catolicismo, surrealismo, filosofia antiga, escolástica, equilíbrio e harmonia. Inicialmente, apresentou-se a figura de Ismael Nery a partir da fala de Murilo Mendes e Adalgisa Nery, esposa do artista. A idéia foi levantar as questões centrais que permearam a convivência dos dois amigos. Em seguida, foi apresentada a obra de Ismael Nery e suas fases cubista, expressionista e surrealista. Tratou-se também da poesia escrita nos últimos anos de vida do pintor. Murilo Mendes foi abordado no capítulo três, de sua obra foram delineados aspectos ligados à espiritualidade, à pintura, ao humor, ao surrealismo e à figura da mulher. A última parte do trabalho estabelece, mais diretamente, a intermediação entre a obra dos dois autores. Nela, são abordados alguns dos aspectos que, segundo Murilo Mendes, o levaram a se tornar poeta e Ismael é apontado como um deles. Nesta última parte, são colocados, lado a lado, quadros, desenhos e poemas dos autores e estabeleceu-se entre eles inúmeras associações a partir das quais foi possível observar a riqueza de possibilidades que pode propiciar o estudo comparado dos dois autores.
Title in English
Birds of meat and legend: the plastic poetry of Ismael Nery and Murilo Mendes
Keywords in English
Catolicismo
Equilíbrio
Harmonia
Pintura
Poesia
Abstract in English
This thesis traces the dialogue between the work of the painter and poet Ismael Nery and the first phase of the work of the poet Murilo Mendes (1930-1945). Both authors have a similar poetics orbiting around the following issues: catholicism, surrealism, ancient philosophy, Scholastics, balance and harmony. In the first chapter, the figure of Ismael Nery was introduced paraphrasing Murilo Mendes and Adalgisa Nery, his wife. The idea was to figure out the underpinnings that permeated the convivence of both friends. In the following chapter, the cubist, expressionist and surrealist phases of the work of Ismael Nery were introduced as well as the written poetry of the last years of his life. In chapter 3, the aspects delineating the spirituality, the painting themes, humour and the figure of the woman in Murilo Mendess work were introduced. The last part of the thesis is concerned directly with the interweaving of the works of both authors. The three central features that according to Murilo Mendes enabled him to become a poet were highlighted. Ismael Nery is one of them. Pictures and poems of both authors were compared and innumerable associations emerged that enabled to uncover a mutual contribution between both.
 
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Publishing Date
2009-08-11
 
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