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Mémoire de Maîtrise
DOI
10.11606/D.8.2019.tde-14022019-100710
Document
Auteur
Nom complet
Juliana Caldas
Adresse Mail
Unité de l'USP
Domain de Connaissance
Date de Soutenance
Editeur
São Paulo, 2018
Directeur
Jury
Moraes, Eliane Robert (Président)
Fabbrini, Ricardo Nascimento
Malufe, Annita Costa
Titre en portugais
Borda, baba e buraco: Hilda Hilst e Lygia Clark
Mots-clés en portugais
Comunicação
Erotismo
Hilda Hilst
Interartes
Lygia Clark
Resumé en portugais
Esta dissertação aproxima o livro Fluxo-floema, 1970, de Hilda Hilst (1930-2004), e as obras relacionais de Lygia Clark (1920-1988). Contemporâneas, apesar de não estabelecerem diálogo explícito em vida, as poéticas dessas artistas tangenciam temas comuns à arte da segunda metade do século XX. A despeito de se expressarem em linguagens diferentes, elas tematizam em sua obra literária ou plástica o desejo da comunicação e da alteridade como topos recorrente e privilegiado, a ponto de tal questão deslocar-se para rupturas formais que colocam em xeque a materialidade de seus códigos as palavras e as imagens e os limites de suas gramáticas a narrativa e a pintura. Além disso, Hilda Hilst experimenta o desenho e Lygia Clark se aventura em textos poéticos, memórias e cartas, o que permite uma leitura transversal das artistas. Ao comparar o gesto criativo de ambas, pode-se ver na escritora a plasticidade sugerida pela artista, ou ainda, ler na artista as palavras evocadas pela escritora.
Titre en anglais
Edge, drool and hole: Hilda Hilst and Lygia Clark
Mots-clés en anglais
Communication
Eroticism
Hilda Hilst
Interart studies
Lygia Clark
Resumé en anglais
This research brings closer the book Fluxo-floema, 1970, by Brazilian writer Hilda Hilst (1930-2004) to the relational objects by Brazilian artist Lygia Clark (1920-1988). Despite there is no evidence that they have established a dialogue in life, their contemporary poetics affect themes shared with the art from the second half of 20th century. In their literary and plastic works, Hilst and Clark, respectively, express the wish of alterity and communication as privileged topics. Such issues disrupt the form and even challenge the materiality of the adopted codes words and images and the boarders of their system of rules that is, the narrative and the painting. Moreover, Hilst experiments with drawing and Clark experiences adventures with poetic texts, memories and letters, which allows us a transversal reading of their oeuvres. The comparison of their creative gestures allows us to see in the writer the plasticity suggested by the artist and to read in the artist the words evoked by the writer.
 
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Date de Publication
2019-02-14
 
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