• JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
 
  Bookmark and Share
 
 
Master's Dissertation
DOI
10.11606/D.8.2018.tde-19042018-094210
Document
Author
Full name
Guilherme Mazzafera e Silva Vilhena
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2017
Supervisor
Committee
Gimenez, Erwin Torralbo (President)
Lima, Mirella Márcia Longo Vieira
Vasconcelos, Sandra Guardini Teixeira
Title in Portuguese
Narrar é resistir: impasses e entremeios em João Guimarães Rosa
Keywords in Portuguese
Entremeio
João Guimarães Rosa
Literatura brasileira
Resistência
Voz narrativa
Abstract in Portuguese
Este trabalho apresenta uma reflexão sobre a produção literária de João Guimarães Rosa publicada em jornais e revistas no período de 1947 a 1954, momento localizado entre seu primeiro livro publicado, Sagarana (1946), e os dois livros de 1956, Corpo de baile e Grande sertão: veredas. Procurando desvelar a constituição de uma voz narrativa em primeira pessoa em seu tenso enlace entre impessoalidade e aproximação, mediado pela consciência dos impasses, o foco analítico privilegia uma carta na qual o escritor delineia uma poética precisa que se faz em resposta ao presente histórico, e três narrativas, O mau humor de Wotan (1948), Com o vaqueiro Mariano (1947-8) e Pé-duro, chapéu-de-couro (1952), lidas como textos de circunstância que partilham de um alinhamento ético no qual a busca pela forma implica uma atitude política de resistência.
Title in English
To narrate is to resist: impasses and entremeios in João Guimarães Rosa
Keywords in English
Brazilian literature
Entremeio
João Guimarães Rosa
Narrative voice
Resistance
Abstract in English
This work presents an approach to João Guimarães Rosas literary production published in periodicals between 1947 and 1954, a moment located between his first published book, Sagarana (1946), and the works of 1956, Corpo de baile and Grande sertão: veredas. Seeking to unveil the constitution of a first person narrative voice in its tense bond between impersonality and approximation, mediated by the consciousness of its impasses, the analytical focus is directed towards a letter in which the writer delineates a precise poetics in response to the historical present, and three narratives, O mau humor de Wotan (1948), Com o vaqueiro Mariano (1947-8) e Pé-duro, chapéu-de-couro (1952), perceived as texts of circumstance that share an ethical alignment in which the search for form implies a political act of resistance.
 
WARNING - Viewing this document is conditioned on your acceptance of the following terms of use:
This document is only for private use for research and teaching activities. Reproduction for commercial use is forbidden. This rights cover the whole data about this document as well as its contents. Any uses or copies of this document in whole or in part must include the author's name.
Publishing Date
2018-04-19
 
WARNING: Learn what derived works are clicking here.
All rights of the thesis/dissertation are from the authors
CeTI-SC/STI
Digital Library of Theses and Dissertations of USP. Copyright © 2001-2020. All rights reserved.