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Doctoral Thesis
DOI
10.11606/T.8.2016.tde-09082016-095734
Document
Author
Full name
Jakeline Fernandes Cunha
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2016
Supervisor
Committee
Andrade, Fabio Rigatto de Souza (President)
Araújo, Joana Luiza Muylaert de
Figueiredo, Priscila Loyde Gomes
Fonseca, Maria Augusta Bernardes
Moraes, Marcos Antonio de
Title in Portuguese
Mário de Andrade, paisagista em O turista aprendiz
Keywords in Portuguese
Diário de viagem
Mário de Andrade
Modernismo
O turista aprendiz
Paíspaisagem
Tradição romântica
Abstract in Portuguese
O objetivo deste trabalho é comprovar que um modo peculiar de descrição paisagística percorre a primeira parte de O turista aprendiz (1927-1943), de Mário de Andrade. A paisagem literária que compõe essa obra do escritor arlequinal é estruturada a partir do diálogo do narrador (anti)viajante com perspectivas, padrões e processos artísticos de outras artes que, reunidos, conferem ao diário de viagem uma profundidade narrativo-descritiva. O estudo detido de três grandes quadros do diário amazônico Foz do Amazonas, Vitória-régia e Alvorada , realizado nesta tese, permite perceber a forma difícil do fazer paisagem do autor modernista, motivado, sobretudo, pela releitura crítica das produções literárias e científicas de tradição romântica.
Title in English
Mário de Andrade, the landscape writer of O turista aprendiz
Keywords in English
Literary landscape
Mário de Andrade
Modernism
O turista aprendiz
Romantic tradition
Travel journal
Abstract in English
The aim of this study is to demonstrate that Mario de Andrade describes the landscape in a singular way in the first part of his book O turista aprendiz (The Apprentice Tourist) (1927- 1943). The literary landscape that constitutes this work of the harlequin author is based on the (anti)traveler narrator's dialogue with other kinds of art. These different artistic perspectives, standards and processes are combined and provide a narrative-descriptive depth to the authors travel journal. A detailed study of three large pictures of Mario de Andrades Amazonic journal Foz do Amazonas, Vitória-régia and Alvorada is developed in this thesis. The analysis provided unveils the intricate way chosen by the modernist author to compose the landscape, mainly motivated by the critical rereading of literary and scientific writings of the Romantic Tradition.
 
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Publishing Date
2016-08-09
 
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