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Master's Dissertation
DOI
10.11606/D.8.2012.tde-05032013-110100
Document
Author
Full name
Simone Pricoli de Mello
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2012
Supervisor
Committee
Vassina, Elena Nikolaevna (President)
Bianchi, Maria de Fátima
Silva, Antônio Carlos de Araújo
Title in Portuguese
A montagem de Um mês no campo de Ivan Turguêniev por Konstantin Stanislávski: processo de criação do espetáculo
Keywords in Portuguese
Ivan Turguêniev
Konstantin Stanislávski
Literatura russa
Teatro russo
Um mês no campo
Abstract in Portuguese
Em 1909, no palco do Teatro de Arte de Moscou, o afamado diretor russo Konstantin Stanislávski realiza a montagem da peça de Ivan Turguêniev Um mês no campo. Além de ser uma brilhante interpretação de obra clássica da literatura russa de um autor pouco difundido nesse país, o espetáculo marca o início da elaboração dos primeiros elementos do sistema Stanislávski, que definiria novas possibilidades para a arte do ator, momento decisivo na sua trajetória teatral. Esta dissertação apresenta o processo de montagem do espetáculo, reflete os primeiros germes do sistema Stanislávski e analisa as abordagens interpretativas do encenador na poética dramática da peça Um mês no campo.
Title in English
The mounting of A Month in the Country by Ivan Turguêniev, by Konstantin Stanislavsky: the process of creating the spectacle
Keywords in English
A month in the country
Ivan Turgenev
Konstantin Stanislavsky
Russian literature
Russian theatre
Abstract in English
In 1909, on the stage of Moscow Art Theatre, the acclaimed Russian director Konstantin Stanislavsky staged Ivan Turgenev s play, A Month in the Country. This performance was a decisive moment in his theatrical trajectory. Besides being a brilliant interpretation of a classic work of the Russian literature written by an author not widely known in this country, it was the starting point of development of the first elements of Stanislavskys "system", which would define new possibilities for the art of the actor. This dissertation presents the creation process of the spectacle, reflects on the first seeds of Stanislavskys "system" and analyses the directors interpretive approaches to the poetic drama of A Month in the Country.
 
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Publishing Date
2013-03-05
 
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