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Master's Dissertation
DOI
10.11606/D.8.2016.tde-11012016-143645
Document
Author
Full name
Paula Fabrio
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Carelli, Fabiana Buitor (President)
Bueno, Aparecida de Fatima
Marques, Davina
Title in Portuguese
Identidades imaginárias: um estudo comparado do livro A máquina de fazer espanhóis, de Valter Hugo Mãe, e do filme Terra estrangeira, de Walter Salles e Daniela Thomas
Keywords in Portuguese
Cinema e literatura
Comparatismo lusófono
Daniela Thomas
Identidade nacional
Valter Hugo Mãe
Walter Salles
Abstract in Portuguese
O romance de Valter Hugo Mãe, A máquina de fazer espanhóis, traz à tona a discussão sobre a fragmentação de identidade do povo português, revelando o mal-estar nacional perante a situação socioeconômica do país no período pós-Salazar e diante do contexto da globalização neoliberal, bem como a relação de Portugal com os blocos hegemônicos de poder e ex-colônias. O filme Terra estrangeira, dos cineastas Walter Salles e Daniela Thomas, dialoga com o cenário de globalização da obra de Mãe e sugere uma reflexão sobre a fragilidade de identidade dos brasileiros durante o Governo Collor, abordando o fenômeno da emigração para a Europa. Trabalhando com a comparação entre as obras, sobretudo de seus momentos históricos e as diferenças de enfoque narrativo, este projeto visa discutir as relações entre identidade nacional e representação da História pela literatura e cinema.
Title in English
Imaginary identities: a compared study of the book "A máquina de fazer espanhóis", by Valter Hugo Mãe, and the movie "Terra estrangeira", by Walter Salles and Daniela Thomas
Keywords in English
Cinema and literature
Daniela Thomas
Lusophone comparatism
National identity
Valter Hugo Mãe
Walter Salles
Abstract in English
The novel by valter hugo mãe, a máquina de fazer espanhóis, brings the discussion about the identity fragmentation of Portuguese people, revealing the discomfort in front of the social economic situation since the post-Salazar period and in the face of the context of neoliberal globalization, as well as its relation with hegemonic blocs of power and the former colonies. The motion picture Terra estrangeira, by Walter Salles and Daniela Thomas, dialogues with the globalization scenario of Mãe's work and suggests a reflection about the identity fragility of the Brazilian people during the Collor government and, consequently, the phenomenon of the immigration to Europe. Comparing both works, especially the historic periods and the differences of narrative focus, this study examines the relations between peoples identity and representation of History by literature and cinema.
 
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Publishing Date
2016-01-11
 
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