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Master's Dissertation
DOI
10.11606/D.8.2013.tde-18102013-164840
Document
Author
Full name
Arnaldo Delgado Sobrinho
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Inacio, Emerson da Cruz (President)
Albuquerque, Gabriel Arcanjo Santos de
Pécora, Antonio Alcir Bernárdez
Title in Portuguese
Um amor que se anuncia, polas ribas da cantiga: modos de presença da lírica medieval galego-portuguesa em Trovas de muito amor para um amado senhor, de Hilda Hilst
Keywords in Portuguese
Comparatismo literário
Hilda Hilst
Poesia brasileira contemporânea
Tradição lírico-amorosa
Abstract in Portuguese
Através de uma leitura comparativo-contrastiva da tradição da lírica medieval galego-portuguesa e da poesia de Trovas de muito amor para um amado senhor, volume publicado pela escritora brasileira Hilda Hilst (1930 2004) em 1960, este trabalho propõe uma leitura dos modos pelos quais essa tradição constitui-se em estratégia privilegiada pela autora para a elaboração de uma subjetividade poética que só se pode afirmar e constituir plenamente na presença do Outro. Nesse sentido, a própria escrita poética definir-se-ia como incessante movimento de busca de um amado ausente, cuja condição permitiria aproximá-lo à noção do absolutamente Outro, postulada pelo filósofo Emmanuel Lévinas. Assim, enquanto impulso desejante condenado inevitavelmente ao malogro, o poema dobrar-se-ia sobre si mesmo, movimento do qual resultaria uma lírica de amor ao próprio texto poético.
Title in English
Um amor que se anuncia polas ribas da cantiga: ways through each the Galician- Portuguese medieval lyric is present in Trovas de muito amor para um amado senhor, by Hilda Hilst
Keywords in English
Brazilian contemporary poetry
Hilda Hilst
Literary comparatism
Love-lyric tradition
Abstract in English
Through a comparative-contrastive reading of the medieval Galician-Portuguese lyric tradition and of the poetry of Trovas de muito amorpara um amado senhor, volume published by the Brazilian writer Hilda Hilst (1930- 2004) in 1960, this work proposes a reading of the ways through which this tradition constitutes itself in a strategy privileged by the author for the elaboration of a poetic subjectivity that can only affirm and fully constitute itself in the presence of The Other. In that sense, the poetic writing would define itself as a ceaseless movement in search of an absent lover, whose condition would allow to approximate it to the notion of the absolutely Other, postulated by the philosopher Emmanuel Lévinas. Thus, as a desiring impulse inevitably condemned to frustration, the poemwould unfold on itself, a movement from which a lyric of love for the poetic text itself would result
 
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Publishing Date
2013-10-18
 
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