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Master's Dissertation
DOI
https://doi.org/10.11606/D.84.2023.tde-22122023-171928
Document
Author
Full name
Gabriela Castilho Guimarães
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2023
Supervisor
Committee
Cury, Lucilene (President)
Curcio, Gustavo Orlando Fudaba
Freitas, Caroline Cotta de Mello
Title in Portuguese
O tecido como suporte para o registro autônomo dos povos originários da América Latina: Paracas, Nazca, Mapuche e os processos de Transculturação
Keywords in Portuguese
Arte têxtil
Mapuche
Nazca
Paracas
Transculturação
Abstract in Portuguese
A presente pesquisa propõe-se a realizar análise comparada dos artigos têxteis produzidos pelas civilizações Paracas (700 a.C. - 100 d.C.) e Nazca (100 d.C. - 700 d.C.), que se desenvolveram na costa sul do que atualmente compreendemos como Peru, e da civilização Mapuche (1250 d.C. - atualidade), que teve sua origem no centro- Sul chileno e sudoeste argentino, e que hoje compõe cerca de 10% da população chilena e menos de 2% da argentina. O principal objetivo deste trabalho consiste em examinar de que forma a arte têxtil, compreendida como suporte de registro histórico desses três povos originários da América Latina, transformou-se ao longo do tempo em termos de seu conteúdo, coloração e técnicas empregadas, a partir dos processos de transculturação porque tais culturas passaram. Buscase recuperar sua importância e, por meio de sua análise, compor ferramental interdisciplinar que colabore na construção de saberes com perspectiva decolonial. O estudo foi realizado a partir de acervos museológicos de instituições que possuem material digital disponível para consulta remota, elaborado a partir das fotografias e informações sobre as imagens, fornecidas ao público por essas organizações. São elas: Museo Chileno de Arte Precolombino (Santiago, Chile), Museo de Arte de Lima - MALI (Lima, Peru) e Peabody Museum of Archaeology & Ethnology (Harvard, Cambridge, EUA).
Title in English
Textile as a support for the autonomous registration of the originary populations from Latin America: Paracas, Nazca, Mapuche and the Transculturation processes
Keywords in English
Mapuche
Nazca
Paracas
Textile art
Transculturation
Abstract in English
This research proposes to accomplish a comparative analysis of textile articles produced by the Paracas (700 BC - 100 AD) and Nazca (100 AD - 700 AD) civilizations, which developed on the southern coast of what we currently understand as Peru, and the Mapuche civilization (1250 AD - present), which had its origins in central-southern Chile and southwestern Argentina, and which today makes up about 10% of the Chilean population and less than 2% of argentine. The main objective of this work is to examine how textile art, understood as a support for the historical record of these three native populations in Latin America, has been transformed over time in terms of its content, coloring and techniques employed, from the transculturation processes which those cultures went through. We seek to reclaim its importance and, through its analysis, set interdisciplinary tools that collaborate in the construction of knowledge with a decolonial perspective. The study was formulated from museological collections of institutions that have digital material available for remote research, elaborated from the photographs and information about the images, provided to the public by these organizations. They are: Museo Chileno de Arte Precolombino (Santiago, Chile), Museo de Arte de Lima - MALI (Lima, Peru) and Peabody Museum of Archeology & Ethnology (Harvard, Cambridge, USA).
 
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Publishing Date
2023-12-22
 
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