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Master's Dissertation
DOI
10.11606/D.93.2018.tde-29112018-120713
Document
Author
Full name
Bruna Amaro dos Santos
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Silva, Dilma de Melo (President)
Oliveira, Rosenilton Silva de
Santos, Renata Aparecida Felinto dos
Silva, Vagner Goncalves da
Title in Portuguese
Museu-Terreiro: o sagrado afro-brasileiro em um ambiente museológico
Keywords in Portuguese
Arte afro-brasileira
Curadoria
Exposição
Museologia
Sagrado afro-brasileiro
Abstract in Portuguese
Este trabalho tem como objetivo, a partir das reflexões teóricas sobre arte e antropologia, realizar uma análise interpretativa sobre a construção e representação do sagrado afro-brasileiro em um dos núcleos expositivos do Museu Afro Brasil. A análise do ato expositivo e a pesquisa iconográfica em um dos núcleos do acervo permanente da instituição será utilizada como ponto de partida para pensarmos na presença do sagrado nesse ambiente, tendo como aspecto central de estudo a forma como se constrói e se manifesta o trabalho expográfico que fica a cargo, principalmente, do atual diretor e artista plástico Emanoel Araujo. Refletir sobre os artistas, objetos e símbolos presentes no núcleo Religiosidades Afro-brasileiras a partir de sua expografia nos ajudará a pontuar questões relevantes quanto aos fenômenos estético e religioso presentes em uma das categorias da arte afro-brasileira, assim como sobre as interpretações que se fazem desse encontro no espaço museológico pelos públicos que o frequentam, um campo ainda de abordagens latentes.
Title in English
Museu-Terreiro: the sacracy of the Afro-Brazilian in a museological environment
Keywords in English
Afro-Brazilian art
Curatorship
Exhibition
Museology
Sacred Afro-Brazilian
Abstract in English
This work aims, from the theoretical reflections on art and anthropology, to create an interpretative analysis on the construction and representation of the Afro-Brazilian sacredness in one of the exhibition sectors of the Afro Brazil Museum. The analysis of the exhibition act and the iconographic research in one of the permanent collections of the institution, will be used as a starting point to think about the presence of the sacred in this environment, having as a central aspect of the study the way in which the exhibition display is constructed and manifests itself as an outcome, mainly, of the current director and visual artist Emanoel Araujo. To think the artists, objects and symbols present in the Afro-Brazilian Religiosities sector from their exhibition display will help us to point out relevant questions about the aesthetic and religious phenomena present in one of the categories of Afro-Brazilian Art, as well as on the interpretations that are being made with the encounters in the museum space by the attending audience, a field of latent and possible approaches.
 
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Publishing Date
2018-11-29
 
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